The movie feels like nine. A rambling, unconvincing sprawl at only minutes, its surface repeatedly and numbingly punctured by wooden pegs of dialogue, it has none of the rapscallion energy of Toback's best movies. The rambunctious sexuality of "The Pickup Artist" is nowhere to be found. And "Two Girls and a Guy," which treated testosterone as if it were an addition to the four humours -- a bodily substance that could mess up your whole life by going out of whack -- approached the subject of sexual addiction and the weird ways in which it can intertwine with love with both good humor and a mournful resonance. It's exactly the kind of movie Toback's detractors always accuse him of making.
Despite her small screen, film, and modeling carreer successes, Gellar has been somewhat of a controversial character, with many viewers of productions such as "Buffy, Vampire Slayer" or of her cosmetic commercials being instantly struck by what has been often percieved as Gellar's 'complete lack of either acting talent or physical beauty'. An interesting situation often arising where persons seated with fanatical 'Sarah Michelle' fans watching her perform, are themselves moved to hysterical laughter through every scene as "another two-name teenaged model" stars in what such people find to be strictly "B or C entertainment". Interestingly, the same concerns have often followed the carreer of Gellar's husband. There was no reason to remove those lines. Are you saying you have never heard such a perspective.
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